signs

The images in the gallery can be enlarged in two steps

Prints are available in small editions, also framed on request, at Artmajeur.com and Singulart.com. Printing is carried out by the renowned Whitewall laboratory. I don't use AI.

We heard knocking noises from the earth's core (2024)

A blue bird broods under my hat (2024)

I wanted to be as tall
as my mother saw me.
With holy horror
I wander through the ruins.
Little birds live under my hat.
If I set them free, they die.

This precarious balance that tastes so much like life (2024)

Searching for the garden 3 (2024)

Feels like almond biscuits (2022)

The end of numbers (2018)

Background: Oliver Abraham

The end of numbers

A countdown - a picture about the temporal limits of life. The girl in the center of the picture remains alive, while life around her is frozen in its structures. The collage perhaps shows how conforming to social expectations can imprison a person until the end of their life. I don't know whether it is sad or reassuring that the person remains alive at the core.

The dream trap
(2024, Cover for the album of the same name by AM Higgins)

The windows of my friendship (2020)

Friendship,
that is when a sea
brings forth a city full of music.
Some people forget
that the universe is a music box.

Home is where the heart is (2019)

The fabricator makes a steel girder blossom with the power of her mind (2019)

I give birth to worlds
and drag them behind me on umbilical cords.
Little homes.
When they die, I hang them in the wind.

Today I will call you (2019)

Structure of an actual feeling (2017)

When you speak to me,
the words have gone through a forest.
And I smell the earth,
in which we all sleep.

After wasting my whole life away (2017)

The fairy tale of the wondrous hand (2019)

The fairy tale of the wondrous hand

A picture about the soul of a child. The collage shows loneliness, mask-like demons, but also the “miraculous hand” that protects the child and holds it in a dreamlike state of suspension. The picture was created in several stages until I was finally satisfied. I was living in a precarious situation at the time and felt threatened from many sides. Not a “beautiful” picture, but it is particularly close to my heart.

That were her last days (2017)

Borby (2018)

The cartography of the sky (2018)

Background: Oliver Abraham

Theory of everything (2016)

Background: Ulrich Schmidt

I wrote the word
in the language of the constellations
from boards and metal.
As sacred junk
I threw it into the air.

Pinnow (2016)

Haniel 1 (2014)

Maternity room (2012)

The truth about you and me (2016)

Maternity room

A marshy lowland near Greifswald on the German Baltic coast. Only the door indicates that this is a transition. An entrance to an invisible world. The ensemble looks deserted and uninviting. No path leads to the door. In fact, the door is far too small for anyone to go through. Despite everything, there is the idea that everything could be different behind it. And perhaps it is.

Museum of local history (2017)

Back home (2011)

Dream simulator 1 (2017)

Dream simulator 2 (2017)

The old couple.
Tired, they drive their stake into life.
She is more door, he is more window.
Their touch is old and beautiful
like a constellation.

Go ahead and freeze, it looks good.
Preserve your dreams as a matrix.
Turn yourself into a symbolic image.
Go digital, because life stinks.
Whoever breathes doesn't get a design prize.